Author Archives: Joulia Strauss

2024 Transindigenous Assembly

Punk documentary about queer Aboriginal and Indigenous artists and their inventions of the “good life”.
Here you will meet artists who have remained in their Indigenous communities or have rediscovered them for themselves, and are active outside and beyond the Western art institutions: masters whose outstanding teachings on light are as precise as any mathematics available to the Western world; Aboriginal cultural workers who emancipated themselves solely through the power of their art; Amazonian curanderas who work miracles despite the shaman business, and others.

Joulia_Strauss_YumynYdyrAltar copy

  • Editing: Samurai Sword Marc Müller
  • Essay Joulia Strauss with the Magic Sword Maestra & Maestro Johanna Di Blasi and Luca Di Blasi
  • Dramaturgy consultant: Master of Rituals Thomas Oberender
  • Text editing and translation: Language Curandera Tania Hron and Transmission Shaman Steven Corcoran
  • Film Music: Dream Modulator Robert Lippok
  • Sound mixing and restauration: Daniel Nentwig Dan Ra-Son
  • Producer: Rainbow Snake André Sauer

After the worldwide protests around 2012, we artists took responsibility into our own hands. Continuing the reLOVEution begun, we started to forge worlds worth living in. This is the spirit in which I called Avtonomi Akadimia into being as an educational assembly and perma artwork in one. It is situated in the gardens where Plato taught almost two and a half thousand years ago.

Here, in the capital of today’s European crisis, artists, scientists and activists from endangered living environments and smog-filled western metropolises, have come together to reconceive the educational system. On the founding site of Weste rn thought, we have fought to overcome the one-sidedness of western epistemologies and connect art with Gaia. Under the sign of threat to the “Critical Zone” – that thin and vulnerable layer of land and air where all life takes place – I sought professors for the Avtonomi Akadimia. Cognizant of the contradiction involved in my taking long-distance flights to meet people who really know what land-ing is all about, I met with some so-called Indigenous people.

I dedicate this film to the hundreds of assassinated Indigenous climate activists who have fought for their and our living spaces. The victims of this struggle cannot see this film. But they are with us, in knowledge. Now, please all take a breath. This is the air for which they gave their lives on the front line in Australia, Asia, Latin America and Siberia for us.

We are traveling from knowledge-rich island to knowledge-rich island, with me playing for you on an ancient Greek lyre, while we rewrite the Odyssey from a siren’s perspective. My experiences I have framed in words with help from the author Johanna Di Blasi and the philosopher Luca Di Blasi, both professors at the Avtonomi Akadimia. As also is Marc Müller, who skilfully helped me to weave the sheer profusion of material into a film.

2021 The Sun Machine is Coming Down

Joulia_Strauss_Friedrich_KittlerKittler Siren, plaster, “The Sun Machine is Coming Down”, ICC, Berlin, 2021, Photo by Hugo Holger Schneider

An installation “To Friedrich Kittler” and a ten days-ceremony in 10 years in memoriam of Friedrich Kittler with the participation of Tania Hron, Anne Dippel, Marc Müller, Paul Feigelfeldt, Thomas Oberender, Christian von Borries, Gerhard Scharbert, Peter Berz, Susanne Holl, Luisa Drews, Eva Horn, Philipp von Hilgers, Arne Janning, Sotirios Bahtsetzis, and Teresa Minn.

“The Sun Machine is Coming Down”, an exhibition in a unique environment of the abandoned Internaational Congress Center, Berlin, initiated by Thomas Oberender

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Photo copyright: Berliner Festspiele / Eike Walkenhorst

 

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Photos above by Till Müller

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Photos above by Alexander Wahrlich

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Photos above by Hugo Holger Schneider

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Photo by Thomas Oberender

2020 Down to Earth

Rainbow Snake: “Transindigenous Assembly” unplugged Joulia Strauss in collaboration with costume designer Kristina Weiß-Busch, upcycling-artist Gabi Bartels, dress maker Nina Janßen-Braje Drawings: Anastasia Efstathiadi, Antigone Theodorou, Raha Amiri, Marc Müller Shipibo embroideries: Isabel Franquines Bardales, Dorcas Maynas Romayna, Emilda Sanchez Barbaran, Keila Rojas Martinez

Rainbow Snake: “Transindigenous Assembly” unplugged
Joulia Strauss in collaboration with Kristina Weiß-Busch, Gabi Bartels, Nina Janßen-Braje
Drawings: Anastasia Efstathiadi, Antigone Theodorou, Raha Amiri, Marc Müller
Shipibo embroideries: Isabel Franquines Bardales, Dorcas Maynas Romayna, Emilda Sanchez Barbaran, Keila Rojas Martinez

Down to EarthMartin-Gropius-Bau, Berlin

Avtonomi Akadimia — Academy of Transformation, a conversation between Thomas Oberender and Joulia Strauss Down to Earth. Klima Kunst Diskurs unplugged, Gropius Bau, 2020 Photo: Eike Walkenhorst © Berliner Festspiele/Immersion

Avtonomi Akadimia — Academy of Transformation, a conversation between Thomas Oberender and Joulia Strauss
Photo: Eike Walkenhorst
© Berliner Festspiele/Immersion

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Sculptural environment and an educational program of Avtonomi Akadimia in Berlin

2020 Corona Masks

These masks were made in the deep solastalgia during the lockdown, as personal gifts to precious friends, or in exchange for plants. If we all wear masks, we protect each other. This is what a society based on solidarity could be like. In this society, art would have a different, paraeconomic, value: it would be permacultural – in the sence of its belonging to the natural world instead of replicating the rape our societies have performed on it. Meow!

Cat Interspecies Joulia Strauss

Cat Interspecies (Joulia Strauss)

Zhar Ptitza Johanna Di Blasi

Zhar Ptitza (Johanna Di Blasi)

Mask for better communication with Salmon  Michelle Letelier

Mask for better communication with Salmon (Michelle Letelier)

Batman: The Last Communist (Michel Gaissmayer)

Batman: The Last Communist (Michel Gaissmayer)

Kundalini Rainbow Snake (Andre Sauer)

Kundalini Rainbow Snake (André Sauer)

Panther and Glam (Elsa and Marco)

Panther and Glam (Elsa de Seynes and Marco Clausen)

Protection by Quotation (Thomas Oberender)

Protection by Quotation (Thomas Oberender)

India (Daria Mille)

India (Daria Mille)

Second Reflection Order (Merle Jothe)

Second Reflection Order (Merle Jothe)

Mask for Libraries (Sandrina Khaled)

Mask for Libraries (Sandrina Khaled)

Mask for Solidarity with Poland

Mask for Solidarity with Poland

Mask for Protection from the Gods (Tania Hron)

Mask for Protection from the Gods (Tania Hron)

Cat Deanthropocene (Moritz Wahrlich)

Cat Deanthropocene (Moritz Wahrlich)

Mask for telepathic communication with sister panthers (Joulia Strauss)

Mask for telepathic communication with sister panthers (Joulia Strauss) Photo: Merle Jothe

In collaboration with Johanna di Blasi, Merle Jothe, and David Yellin

 

 

2019 Anarchist Ashram

As part of the Imaginary Republic exhibition curated by Brandon LaBelle and held in Kunsthall 3,11, Bergen, Joulia Strauss leads a one-week workshop dedicated to collectivity and the lessons of forbidden knowledges. The Anarchist Ashram focuses on the presentation and practice of forbidden, discredited and peripheral forms of knowledge. With the current decentering of the West, art is opening up to the deep database of alternative techniques of Enlightenment which are crucial for our socio-political struggles today. The Ashram acts as an Imaginary Republic, where the Imaginary becomes the Real through which to marginalize the perverted, pre-quantic “reality” of biocapitalism. Through such work, we explore ways of manifesting a new social body, undoing and unlearning certain patterns inscribed onto our imaginations. Side effects: we may never be able to return to our depressive ego-based individualistic art studios.

daily gatherings ^^ qi gong lessons ^^ collective drawings ^^ animal spirit portraits ^^ readings ^^ assemblies ^^ secret screenings ^^ teleaffective meetings with athens ^^ new rituals ^^ sound art ^^ ancient greek hymns ^^ mantras ^^ peruvian shamanic healing songs ^^ banned knowledge ^^ queer porn ^^ alternative currencies

Participants: Emma Fuchs Sjövall, Lisa Englesson Hallberg, Hanna Nakken, Vilde Jensen, Maja Chiara Faber, Nitya, Tanja Silvestrini, Clara Mosconi, Brandon LaBelle, Joulia Strauss

This documentation cannot depict tenderness and the warmth of relations created during the Anarchist Ashram, nor can it entertain with porn or shock. It is simply a proof that an art institution can actually make sense and fulfill the ethical, social, and, if you insist, aesthetic needs of our society by transforming into a de-elitist cultural center where an exhibition becomes an environment for a community enjoying an educational format as an art form.

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MoLotus sculpture by Joulia Strauss and Clara Mosconi

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The “Testo Junkie” reading group

Teleaffective meeting with Athens: James Simbouras

Maja_Chiara_Faber_Anarchist Ashram

Modern Astrology with Maja Chiara Faber

Tibetan_Pulsing_with_Nitya_Anarchist_Ashram

Tibetan Pulsing with Nitya

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Closing ceremony

Collective artistic practices beyond existing hierarchies are spreading around the world. This peaceful revolution has many beginnings, it consists of numerous autonomous actions to transform our relations. Endless fun of creativity immediately unfolds once the individualist “I” turns into the kind “WE”. This “WE” can not be split by the zombiopolitics* of the paleoliberal** democracy. Once we reconnect to ourselves*** and horizontally root****, the dream of the enlightened society***** doesn’t seem utopean at all … does somebody want to continue, to delete, to edit, to subvert, to start something completely different? (Joulia Strauss)

* Term by Luca Di Blasi ** Term by Luca Di Blasi *** In the sence of decolonizing forms of knowlegde marginalized by the occidental “civilization“ **** With and without Bruno Latour ***** As in the Shambala teachings by Chögyam Trungpa

More about the exhibition

Publication

2018 BlackRock Protest Semester

We, the communities around the Akadimia Platonos Garden, have won against BlackRock.

BlackRock Protest Semester is a response to an illegal deal signed from the minister of the environment Giorgios Stathakis for the construction of a 45.000m2 shopping mall “Academy Gardens”, close to the archeological site and the large public garden of Akadimia Platonos. The project is backed (350mln) by the supranational corporation BlackRock, the so-called world’s largest shadow bank.
Akadimia Platonos is a unique conjunction of an archeological site and a pulsating meeting point of local and international communites. With the alternative economy gatherings, permaculture workshops, performances, martial arts lessons, courses for non-fossil energies, rainbow families celebrations, seminars on politics, fair trade shops, commons festivals, Akadimia Platonos garden manifests a culture of solidarity. One of the initiatives active in the garden is a free access intercultural university Avtonomi Akadimia. It practices the sharing of knowledge by inviting artists, philosophers, scientists, shamans and activists to be involved in a long term deep exchanges with a world-wide community of participants. This continuous action of the so-called activist art is a constitutive form of protest as university. It aims to transform our educational system from the regime of punishment into joyful experience of enfolding our creative potential.

Yes, while Greece is being relentlessly privatized and the ecosystem of Mediterranean Basin brutally raped by criminal corporations, we envision an enlightened society.
We designate the agency of art to act in favor of all living. By being present in the garden of the Plato’s school we negotiate philosophy today. We decenter. We intertweave incompatible paths of knowledge. We elaborate on an environmental vocabulary for art and politics. We heal, sing, plant, dance, draw deantropocene drawings. We reinforce our spirits.

The booklet of the BlackRock Protest Semester can be viewed here

June 16 | 16 Ιουνίου, 18:00 Introduction of the BlackRock Protest Semester by Joulia Strauss
June 16 | 16 Ιουνίου, 18:00 Raimar Stange ^^ climARTe // Art and Climate Change
June 20 | 20 Ιουνίου, 19:00 Music Jam and Kitchen on Exarcheia Square (within the frame of the so-called International Refugee Day)
July 12 | 12 Ιουλίου, 18:00 Luca Di Blasi ^^ Guilt Collectives and Identity Migration
July 12 | 12 Ιουλίου, 20:00 Clara Stella Hüneke ^^ Love, Sex and Collectivity
July 13 | 13 Ιουλίου, 19:00 James Simbouras ^^ Deep Artists Talk
July 14 | 14 Ιουλίου, 17:00 Officinalis ^^ Gingko planting and herbal wisdom share | “Resilience: plant allies”
July 14 | 14 Ιουλίου, 19:00 Helen Dimos & William Rowe ^^ Defend Akadimia Platonos with sound // Protest walk and sound workshop
July 22 | 22 Ιουλίου, 18:00 Patricio (Peru) ^^ CIRCULOS DE MEDICINA AMAZONICA // Lecture and Ceremonies with the Sacred Plant
September 15 | 15 Σεπτεμβρίου, 14:00 – 18:00 September 16 | 16 Σεπτεμβρίου, 10:00 – 14:00 Khien Phuc (Cambodia/France) ^^ Qi Gong Workshop
June 16 – July 14 | 16 Ιουνίου – 14 Ιουλίου: Eirini Vlavianou ^^ Observation, exploration and artistic reflection on Akadimia Platonos site during the BlackRock protest semester

2017 The School of Everything at the documenta14

A meeting of initiatives which aims to transform the European educational system. We are building an educational system that consists of politically motivated and artistic initiatives for sharing knowledge, and of proposals by thinkers who see education as decisive for social change. Texts, documentation, manifestos, and sketches of educational models are united in a symposium entitled “The School of Everything.” The symposium takes place in both Kassel and Athens. We shift from learning to sharing. We decriminalize sharing because we would like to enjoy the pleasure of giving. We liberate ourselves from the strictures of “Homo Sapiens,” a construct imposed upon life. We intend to transform the educational system of Europe.

Joulia-Strauss-Molotus_School-of-Everything_Parliament-of-BodiesThe totem sculpture of our conference is the emblem of Avtonomi Akadimia, the Molotus.
It encompasses the spectrum from Molotov cocktail to meditative lotus and represents suppressed paths of knowledge.

Concept: Joulia Strauss
Curator of the symposium: Sotirios Bahtsetzis
Organized by AthenSYN. In collaboration with Allianz Kulturstiftung

Partners: ASFA Athens School of Fine Arts (GR); Kunsthochschule Kassel (D); LUCA School of Arts, Leuven, Brussels, Gent (B); HyperWerk Institute for Postindustrial Design; FHNW University of Applied Sciences and Arts, Basel (CH); Avtonomi Akadimia (GR); with the support of the Schwarz Foundation, Eye Square GmbH, and HAECCCC, 0+865

In collaboration with aneducation (Educational department) and the Public Programs of documenta 14

Special thanks to Eirini Vlavianou and Yorgos Maraziotis

June 11
The School of Everything—Constituitive and Critical Elaborations on Art-as-education

With: Sotirios Bahtsetzis, Luca di Blasi, Jean-Pierre Rammant, Max Spielmann, Joulia Strauss, Jonas Tinius, Vasyl Cherepanyn, Mathilde ter Heijne

June 12
The School of Everything—Concrete examples of alternative and reflective educational formats

With: Helmut Batista, Agnès Rammant-Peeters, Katja Ehrhardt, Noah Fischer, Mriganka Mudhukallya, Elad Lapidot, Arnisa Zeqo, Lindsay Parkhowell, Sebastian Lütgert, Jan Gerber, Artur Żmijewski, Maarten Vanvolsem, Johanna Scherf, Georgia Kotretsos, Sotiris Tsiganos, Jonian Bisai, Mischa Schaub, Andrea Iten

June 13
The School of Everything as Continuation of Universitas and Krytyka Polityczna

With: Ahmad Alkhatieb, Sotirios Bahtsetzis, Katja Ehrhardt, Judith Holzer, Paul B. Preciado, Sebastian Schäfer, Joulia Strauss

Assembly: working on a new collective curriculum

Schedule at the Parliament of Bodies, Athens

Thursday, July 6, 2017

  • 12–2 pm Workshop 1: Sanchayan Ghosh, artist and educator, Santiniketan
  • 2–2:30 pm Break for a Masala Chai with Junaid Baloch
  • 2:30–5:30 pm Workshop 2: Jan Gerber, Sebastian Lütgert (Pirate Cinema, Berlin and Bombay)
  • 5:30–7 pm Break
  • 7–7:30 pm: Joulia Strauss (Avtonomi Akadimia, Athens), Sotirios Bahtsetzis (AthenSYN, Berlin, Athens)
  • 7:30–8 pm Jonas Tinius, CARMAH/Humboldt-Universität zu Berlin
  • 8–8:15 pm Q&A
  • 8:15–8:30 pm Break
  • 8:30–8:50 pm Tania Hron, independent scholar, Berlin
  • 8:50–9:10 pm Martina Schumacher, visual artist, Berlin
  • 9:10–9:30 pm Costantinos Amvrosiadis, 4el, Athens
  • 9:30–9:45 pm Q&A

Friday, July 7, 2017

  • 12 noon–2 pm Workshop 1: Sanchayan Ghosh, artist and educator, Santiniketan
  • 2–4:30 pm Break for a masala chai with Junaid Baloch
  • 2:30–5:30 pm Workshop 2: Jan Gerber, Sebastian Lütgert (Pirate Cinema, Berlin and Bombay)
  • 5:30–7 pm Break
  • 7–7:30 pm “The School of Everything as a Continuation of Universitas,” and “Krytyka Polityczna”
    Katja Ehrhardt (AthenSYN, Berlin and Athens), Joulia Strauss (Avtonomi Akadimia, Athens), Sebastian Bayse Schäfer (Berlin), Nuno Cassola Marques (Khora Athens)
  • 7:30–7:45 pm Q&A
  • 7:45–8:05 pm Jenny Marketou, visual artist, New York and Athens
  • 8:05–8:25 pm Marco Clausen, Neighborhood Academy in Prinzessinnengarten, Berlin
  • 8:25–8:45 pm Raúl Hott, visual artist, Santiago de Chile and Athens
  • 8:45–9:05 pm Ioulia Mermigka, National and Kapodistrian University of Athens
  • 9:05–9:20 pm Q&A
  • 9:20–9:45 pm Arnisa Zeqo, aneducation, documenta14

2016 UNIVERSITAS

with AthenSYN

Universitas (“community”, lat.) is a new form of art which emerged at the refugee camps around Athens. Groups of artists and cultural organizers offered workshops in these new Syrian cities. Within our European ghetto, “Frontexed” from the outside and bitten by patrol dogs from the inside, we paradoxically experience sparks of the only possible future: no nations, no borders. We, here in Athens, do our best to create time-spaces where the irrelevance of citizenship is cultivated. Don’t call it micropolitics. Don’t write PhDs about us. Please, join. Once you are involved, you will learn how to live with the difficulties of the projects related to “refugees”. The intensity experienced in the Universitas workshops should not be expressed with the traditional means of documentation for several reasons. The participating artists created works about their truly seismic insights in the camps.

The information on the entire project can be accessed here

Along with co-initiating and co-organizing the workshops, Joulia Strauss has interviewed the newcomers and has drawn their portraits and edited the Athenian issue of the Warsaw-based magazine Krytyka Polityczna.